Sinema filmlerinde estetik özneyi yabancılaşmaya yabancılaştırmak: Night crawler filminde yabancılaştırma etkisi

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dc.contributor.author Ulutaş, Selçuk
dc.date.accessioned 2022-12-16T08:28:03Z
dc.date.available 2022-12-16T08:28:03Z
dc.date.issued 2019
dc.identifier.citation Ulutaş, S. (2019). SİNEMA FİLMLERİNDE ESTETİK ÖZNEYİ YABANCILAŞMAYA YABANCILAŞTIRMAK: NIGHT CRAWLER FİLMİNDE YABANCILAŞTIRMA ETKİSİ. Selçuk İletişim, 12(2), 1012-1043. tr_TR
dc.identifier.uri https://doi.org/10.18094/josc.596288
dc.identifier.uri http://hdl.handle.net/20.500.11787/7870
dc.description.abstract Alienation is one of the key concepts used by philosophy, sociology and psychology. It is known that this term turns into the effect of alienation (Verfremdung) in order to control the participation of the subject to the piece of art. The artists desire to create the opposite of the effect that aesthetical participation creates defined as ‘identification’ and they want to apply force to the aesthetical subject related a phenomenon. It is observed in cinema that the narrations, story and discourses which are told so that the watcher is alienated to a phenomenon. It is possible to mention about numerous strategies related to the effect of the work on alienation in the design phase. Except for the known strategies, however, the cinema directors have the potential of producing new strategies in order to develop the effect of alienation. This study analyzes the example of ‘Night Crawler’ which aims to alienate to aesthetical subject against the effects of alienation, which are regarded as negative. The aim of the study is to reveal whether new alienation strategies can be created in connection with the content especially beyond the basic formal elements about the theory of alienation besides the aesthetic identification which is frequently encountered in cinema. For this reason, the film ‘Night Crawler’ has been examined in the context of character creation, actions and events in its ontological context. As a result of this study, it is revealed that the film produces an alienating effect as a spiritual being outside the formal elements. In this context, the study examines the film called ‘Night Crawler’ by ontological analysis method. tr_TR
dc.language.iso tur tr_TR
dc.publisher Selçuk Üniversitesi tr_TR
dc.relation.isversionof 10.18094/josc.596288 tr_TR
dc.rights info:eu-repo/semantics/openAccess tr_TR
dc.subject Yabancılaşma tr_TR
dc.subject Verfremdung yabancılaştırma tr_TR
dc.subject Özdeşleşme tr_TR
dc.subject Katharsis tr_TR
dc.subject Gestus tr_TR
dc.subject Estetik özne tr_TR
dc.subject Estetik katılım tr_TR
dc.subject Sinema tr_TR
dc.subject Alienating tr_TR
dc.subject Verfremdung alienation tr_TR
dc.subject Identification tr_TR
dc.subject Katharsis tr_TR
dc.subject Gestus tr_TR
dc.subject Aesthetical subject tr_TR
dc.subject Aesthetical participation tr_TR
dc.subject Cinema tr_TR
dc.title Sinema filmlerinde estetik özneyi yabancılaşmaya yabancılaştırmak: Night crawler filminde yabancılaştırma etkisi tr_TR
dc.title.alternative Alienating the alienation of the subject in the cinema movies: The effect of alienation on the film of night crawler tr_TR
dc.type article tr_TR
dc.relation.journal Selçuk İletişim tr_TR
dc.contributor.department Nevşehir Hacı Bektaş Veli Üniversitesi/güzel sanatlar fakültesi/görsel iletişim tasarımı bölümü/görsel iletişim tasarımı anasanat dalı tr_TR
dc.contributor.authorID 109659 tr_TR
dc.identifier.volume 12 tr_TR
dc.identifier.issue 2 tr_TR


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